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2031 DBX BY HARMAN dbx by Harman 2031 Single 31 Band Equalizer, 2U 19" | EQ Series DBX 2031 Graphic Equalizer/Limiter with Type III - hreshold range of 0dbu to plus 20dbu, patent-pending PeakPlus limiter, Revolutionary instant encode/decode Type III Noise Reduction, Status LEDs offer visual feedback for all settings on the front panel Simple Type: Audio Processing & Recording It's amazing. One little button. So much effect. dbx Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see. But hey, Roger wasn't about to stop there. PeakPlus Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing. 20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx® Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!!! Download the datasheet (PDF) Request Quote
215 DBX BY HARMAN DBX 215 Dual Chanel 15-Band Equalizer - XLR, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters,0 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments Simple Type: Audio Processing & Recording The dbx 2-Series Graphic Equalizers have been designed to meet the needs of the most demanding sound reinforcement environments, while offering the simplicity of straight forward controls. The 215 not only provides standard features like dual channels, 15 2/3 octave bands, ISO frequency meters, +/- 12dB input gain range, and switchable 50Hz/12dB octave low-cut filters, but also includes other thoughtful features. These features include: 20 mm faders; selectable +/-6dB or +/-12dB boost/cut range for precise gain adjustments; XLR, and 1/4" TRS connectors for installation ease; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation. The visionary design of the dbx 2-Series has been pursued to make your job easier. The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range, internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx® signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound. Download the datasheet (PDF) Request Quote
215s DBX BY HARMAN dbx by Harman 215s 2 Channel 15 Band Equalizer, 1U 19" | EQ Series | DBX 215S Dual Chanel 15-Band Equalizer - 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering Simple Type: Audio Processing & Recording When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 215s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 215s includes two 15-band channels of 2/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 215s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 215s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound Download the datasheet (PDF) Request Quote
220i DBX BY HARMAN dbx by Harman 220i DriveRack 2 in 2 out with Advanced Feedback Suppression | DRIVERack Series Simple Type: Rack Request Quote
2215 DBX BY HARMAN dbx by Harman 2215 2 Channel IS Band Equalizer, 2U 19" | EQ Series Simple Type: Audio Processing & Recording t's amazing. One little button. So much effect. dbx Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQs possible, boxes with the heritage and performance to rival our famous 30 Series EQs. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQs sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see. But hey, Roger wasn't about to stop there. PeakPlus™ Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQs they wanted something that would be unique to these EQs. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0dbu to plus 20dbu, the patent-pending PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing. 20 Series EQs. You used to have to settle for second best in a reasonably priced EQ but not any more. With the new 20 Series from dbx Professional Products you get a great EQ circuit, a graceful yet powerful limiter and the revolutionary new design of the Type III Noise Reduction. Check out the dbx 20 Series graphic EQs at your pro audio outfitter. You'll see, with the 20 Series EQs you get MORE!! Download the datasheet (PDF) Request Quote
223 DBX BY HARMAN DBX 223 Stereo 2-Way/Mono 3-Way Crossover - TRS differentially balanced inputs and outputs, Lnkwitz-Riley 24dB per octave filters, Back panel switches allow you to select the range of the crossover frequencies individually for both channels Simple Type: Audio Processing & Recording Let's take a look at the construction features of the dbx 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect? Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. Download the datasheet (PDF) Request Quote
2231 DBX BY HARMAN dbx by Harman 2231 2 Channel 31 Band Equalizer, 3U 19" | EQ Series Simple Type: Audio Processing & Recording It's amazing. One little button. It has so much effect. The Type III Noise Reduction is an entirely new concept... virtually instantaneous encode/decode within the circuitry of the box. We started out to build the finest EQ's possible, boxes with the heritage and performance to rival our famous 30 Series EQ's. And to no one's surprise they came out awfully darn good. (Ask to see the Audio Precision plots compared to the competition.) But then, Roger (our chief engineer, a nice guy, as far as engineers go) got the crazy idea of putting this new noise reduction stuff in the box. We listened to it and were amazed. The EQ's sounded great without it but with it the performance was nothing short of incredible. Check it out yourself and see. But hey, Roger wasn't about to stop there. PeakPlus Limiter. Who knows more about limiting than the folks at dbx; nobody... that's who. So when the guys were developing this new series of EQ's they wanted something that would be unique to these EQ's. That's when Roger got another one of his bright ideas and said "I bet they'll work a lot better if there's a cool limiter built in." Next thing you know, all the guys are in the studio amazed at the new limiter Roger had designed specially for the 20 Series. Once again, hearing is believing... With a threshold range of 0 to +20dbu, the PeakPlus limiter is designed to tame your program material from the subtlest nuances to the rowdiest hits. Also, the four stage LED ladder gives you a great visual indication as to what the limiter is doing. Download the datasheet (PDF) Request Quote
223s DBX BY HARMAN dbx by Harman 223s Stereo 2 Way, Mono 3 Way X-over, Jack Connector | Production Series | DBX 223s Stereo 2-Way/Mono 3-Way Crossover - Ultra low-noise, rugged reliability, Low frequency summed (subwoofer) output, 24dB per octave filter, amplifiers eliminate distortion Simple Type: Crossover The secret to making speakers sound great lies with the crossover you use. With the dbx 223s Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 223s uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223s leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223s is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality 1/4" TRS inputs and outputs Download the datasheet (PDF) Request Quote
223XL DBX BY HARMAN DBX 223XL Stereo 2-Way/Mono 3-Way Crossover with XLR Connectors -XLR balanced inputs and outpus, Linkwitz-Riley 24dB per octave filters, Back panel switches allow you to select the range of the crossover frequencies individually for both channels Simple Type: Audio Processing & Recording Let’s take a look at the construction features of the dbx 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid “click”. Also, when you open the box, you won’t find the external power supply that accompanies most processors in this price range. That’s because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it’s not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. Via a switch on the back panel, you first select whether you’re operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn’t make you check the switch position on the back every time you wonder where it’s set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you’ll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There’s a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from -infinity to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You’ll get great performance, all the features you’d expect from a professional product and the knowledge that you’re buying a processor from the people that have been producing the worlds finest processors for over 25 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that’s just too low to admit! Download the datasheet (PDF) Request Quote
223xs DBX BY HARMAN dbx by Harman 223xs Stereo 2 Way, Mono 3 Way X-over, XLR connector | Production Series | Simple Type: Crossover The secret to making speakers sound great lies with the crossover you use. With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 223xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Download the datasheet (PDF) Request Quote
231 DBX BY HARMAN DBX 231 Dual Chanel 31-Band Equalizer - 1/3-octave equalization, ±6 or ±12 dB boost/cut range; XLR, 20mm faders and 1/4" inputs, nonconductive nylon sliders; and an intuitive user interface Simple Type: Audio Processing & Recording With a lineage extending back to the revered 12 and 20 Series graphic equalizers, the dbx® 231 easily lives up to the dbx reputation at a price point which can find a home in the tightest of budgets. Besides including two 31-band channels of 1/3-octave equalization, the 231 also offers ±6 or ±12 dB boost/cut range; XLR, 20mm faders and 1/4" inputs; nonconductive nylon sliders; and an intuitive user interface with comprehensive output and gain reduction metering. As always, the inevitable result of our meticulous attention to detail and top-quality componentry is exceptional sound, performance, and reliability. The 2-Series represents a major step forward in the performance of entry-level graphic equalizers. From its amazing 10Hz to 50kHz frequency response, to its 108dB dynamic range and internal toroidal transformer, the 2-Series offers out of this world specifications with a down to earth price point. Sure to find a home in the studio, on tour and with installed sound venues, the 2-Series is destined to take its rightful place in the lineage of great dbx signal processors that are the Professional's Choice™. With such affordable quality, there's no longer any excuse for compromising your sound. Download the datasheet (PDF) Request Quote
231s DBX BY HARMAN dbx by Harman 231s 2 Channel 31 Band Equalizer, 2U 19" | EQ Series | DBX 231S Dual Chanel 31-Band Equalizer - Two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering Simple Type: Audio Processing & Recording When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls. The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best. Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound. Download the datasheet (PDF) Request Quote
234 DBX BY HARMAN DBX 234 Stereo 2/3 Way, Mono 4-Way Crossover - TRS input/outputs, 1/4 jacks bolted down to chasis, Linkwitz-Riley 24 dB per octave filters, Back panel switches allow you to select the range of the crossover frequencies individually Simple Type: Audio Processing & Recording Let's take a look at the construction features of the dbx 234. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect? Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB, to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. Download the datasheet (PDF) Request Quote
234s DBX BY HARMAN dbx by Harman 234s Stereo 2/3 Way, Mono 4 Way Crossover, Jack connector | Production Series | DBX 234s Stereo 2/3 Way, Mono 4-Way X-over - Ultra low-noise, rugged reliability, Mode switches for mono 4-way or stereo 2-way/3-way operation, 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter Simple Type: Crossover The secret to making speakers sound great lies with the crossover you use. With the dbx 234s Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234s uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234s leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234s is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality 1/4" TRS inputs and outputs. Download the datasheet (PDF) Request Quote
234XL DBX BY HARMAN DBX 234XL Stereo 2/3 Way, Mono 4-Way Crossover - XLR inputs/outputs, Linkwitz-Riley 24 dB per octave filters, mono sum the LF, selectable crossover frequencies Simple Type: Audio Processing & Recording Let's take a look at the construction features of the dbx 234XL. At first glance you'll notice the units are great looking, and as you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external powersupplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are XLR balanced jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone steps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24 dB per octave filters, the professional standard, but then again, what did you expect? Via two switches on the back panel you first select whether you're operating your system in stereo 2-way, 3-way or mono 4-way. Another back panel switch also selects whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates the X10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB, to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that'll help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. Download the datasheet (PDF) Request Quote
234xs DBX BY HARMAN dbx by Harman 234xs Stereo 2/3 Way, Mono 4 Way X-over, XLR connector | Production Series | DBX 234xs Stereo 2/3 Way, Mono 4-Way Crossover - Ultra low-noise, rugged reliability, precision filters to separate the audio signal and direct the correct frequencies, signal eliminating distortion, , independent output gain controls for level matching Simple Type: Crossover The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. Download the datasheet (PDF) Request Quote
260 DBX BY HARMAN dbx by Harman 260 2 x 6 Speaker Management Processor, with display | DRIVERack Series Simple Type: Speaker Management Processor Request Quote
266XL DBX BY HARMAN DBX 266XL Compressor/Gate - Provides versatility and excellent sonic performance, AutoDynamic, ultra-smooth release Simple Type: Audio Processing & Recording Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts. When using the 266XL’s AutoDynamic Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicings that extend from slow “leveling” to aggressive “peak” limiting.The Auto Dynamic circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren’t restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.The 266XL’s advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. dbx engineers went on to take advantage of the wide dynamic range and high precision of the dbx VCA to design in an extra-wide threshold range and ensure top gating performance for each application. Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup, while the 266XL’s intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter. The dbx 266XL processor is the result of an intensive engineering and product development effort aimed at taking advantage of the latest and best advances in manufacturing technology to deliver true dbx audio performance and reliability to our customers at the lowest possible cost. The 266XL puts a completely new level of compressor/gate performance within everyone’s reach. Download the datasheet (PDF) Request Quote
266xs DBX BY HARMAN dbx by Harman 266xs 2 Channel Compressor, gate | Production Series | Simple Type: Compressor Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix - adding greater clarity and making them stand out from the surrounding instruments. dbx knows compressors...after all we invented them! The 266xs is the latest in a long line of the world's most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4" TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and Download the datasheet (PDF) Request Quote
286A DBX BY HARMAN DBX 286A Mic Pre-Amp Processor - Five processors, Frequency control for De-Esser, OverEasy Compressor, Enhancer's HF Detail control, 14" TRS phone jack can accept pre-recorded tracks at mixdown Simple Type: Audio Processing & Recording The dbx 286A's Mic Preamp and Five processors can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The dbx 286A's sonically pristine Mic Preamp has all the features you need, including wide-ranging input gain control, switchable 48V phantom power and an 80Hz high-pass filter. Use the 286A's newly designed and patented OverEasy Compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" rock vocal. Take out vocal sibilance and high frequency distortion in cymbals with the 286A's frequency tunable De-Esser. Fine-tune the Enhancer's HF Detail control to add sparkle and crispness to tracks. LF Detail control adds fullness and depth to vocals and bass instruments while simultaneously cleaning up muddy low midrange frequencies. And, the Expander/Gate's separate threshold and ratio controls allow you to subtly reduce headphone leakage or radically gate noisy guitar amps. The dbx 286A's full complement of metering and status LEDs visually guide you to achieving the right sound. The floating balanced XLR mic input accepts balanced or unbalanced inputs. An additional 14" TRS phone jack can accept balanced/ unbalanced line signals to process live electronic instruments or pre-recorded tracks at mixdown. An insert jack between the 286A's Mic Preamp and signal processing sections can be used to "loop out" to external processors (such as EQ) or to mix the Mic Preamp's signal out to an external destination. The cost and hassle of patching together multiple processors for use on one track can be frustrating. The dbx 286A gives you all the tools you'll need in one box, with the shortest signal path to help keep your music sounding clean Download the datasheet (PDF) Request Quote
286s DBX BY HARMAN dbx by Harman 286s Microphone Pre-amp Channel strip with Compressor/de-esser/enhancer/exp.-gate | Production Series | DBX 286S Mic Pre-Amp Processor - Channel Strip Processor with studio quality microphone/instrument preamplifier, four processors, Program adaptive Expander/Gate, and a tunable De-Esser Simple Type: Audio Processing & Recording The dbx 286s is a full featured Channel Strip Processor that delivers a studio quality microphone/instrument preamplifier and four processors that can be used independently or in any combination. Why mic up vocals and instruments through a noisy, blurry mixer? The sonically pristine dbx 286s Mic Preamp has all the features you need, including wide-ranging input gain control, switchable +48V phantom power, and an 80Hz high-pass filter to remove low frequency hum, rumble or wind. Use the patented dbx OverEasy compressor to transparently smooth out uneven acoustic tracks or deliver that classic "in your face" vocal performance that only a dbx compressor can. Eliminate vocal sibilance and high frequency distortion from instruments such as cymbals with the frequency tunable De-Esser. Fine-tune the Enhancer HF Detail control to add sparkle and crispness to your tracks and make adjustments to the LF Detail control to add fullness and depth to vocals and bass instruments while cleaning up the muddy low midrange frequencies. And, the separate threshold and ratio controls on the Expander/Gate allow you to subtly reduce headphone leakage or radically gate noisy guitar amps. The dbx 286s offers a full compliment of metering and status LEDs to visually guide you to achieving the right sound. The floating balanced XLR Mic Input accepts balanced or unbalanced inputs to easily connect to professional and home studio microphones. The additional 1/4" TRS Line Input can accept balanced/unbalanced signals to process live electronic instruments or pre-recorded tracks at mixdown. Use the Insert jack to interface between the Mic Preamp and the signal processing sections to "loop out" to external processors (such as EQ or delay unit) or to mix the Mic Preamp's signal out to an external destination. Download the datasheet (PDF) Request Quote